The Characters of Egypt festival is a 3-day 'cultural experience' organised by various Egyptian NGOs in conjunction with the Egyptian Tourist Authority. It aims to promote awareness of cultural distinctions and the variety of ethnic groups found in Egypt today, and this year included a special emphasis on improving the economic situation of the island inhabitants, and introduced a number of schemes promoting sustainable tourism. The festival is still relatively new; it has been held annually for the past four years, but has previously only ever taken place at another location in the south, near the Red Sea resort of Marsa Alam. This year for the first time the festival moved to Heisa Island, Aswan, a strange and surely deliberate decision given the political backdrop.
After the construction of the two Aswan dams in the 1970s, many Egyptian Nubians were forced to abandon their traditional homes to make room for Lake Nasser - and, according to a felucca boat captain we speak to in town, for government buildings on the numerous islands around Aswan. However since the fall of Mubarak many have begun to move back to the old villages in what he called an 'exodus of the Nubians'. Thus the atmosphere on the island on which we find ourselves is one of jubilance, optimism and visible, unshakeable pride.
The main festival area is a large, flat expanse of land in the north of the island, requiring a dusty trek to be reached from any direction and surrounded on two sides by steep slopes; a number of tents have been erected for the occasion but it is clear that the mosque has existed for quite some time, as have the numerous square, concrete houses that litter the surrounding landscape, most with stone front porches where the locals retreat for most of the daytime. On the first day we arrive the campsite stands almost empty. Then, along with several boatloads of men from Sinai, things begin to happen.
The first evening begins as if from nowhere; we are wandering back from the restaurant discussing how lovely and peaceful it is here when noise erupts from the smaller tent in the central zone. A sizeable group has gathered around a group of tiny girls with gold hoops in their ears who clearly live here and, despite being no more than about ten, can bellydance to a near-professional standard, to the ferocious beat of several drums and a twangy traditional instrument no amount of Googling can now unearth. Volunteers and parents join in and onlookers clap along following the example set by a man hefted onto his friend's shoulders, swaying to the music and dancing together in small, tight circles. The crowd grows and grows and then finally moves to the edge of the festival area where a band has been set up. Tonight, it is clear, is for the Nubians, and passes with one traditional dance after another - the majority of performers are men in white robes across all ages but the little girls frequently scamper into the circle and give them a run for their money. Around the edge the women offer encouragement in the form of cheers and claps, and we are dragged from one group to the next to introduce ourselves and speak with them to the best of our ability. The evening eventually dissolves into an open-mic event and a visitor from North Sinai takes over, chanting in Arabic between choruses roared by row upon row of men in checked scarves; the little we can understand is all about the beauty and majesty of Sinai and is apparently going down quite well. Everything is over by about ten o'clock but below are some photos from the evening's festivities:
As previously mentioned, many of the scheduled activities do not go ahead the following day, mostly because people are still arriving, and those already in attendance are scattered across the island and do now rise until quite late in the day - after last night's music ended most participants - or at least the male ones - gathered in the large bedouin-style tents to eat, smoke and talk with their countrymen until the early hours.
We venture out in the early afternoon as the friday prayer is ending and wander around the various stalls, including a French jewellery designer who runs an annual workshop with nine young people, and whose bizarre and abstract latest pieces (including brooches and earrings made from household items such as broken china, knives and forks) are on display here. Another tent (below) is full of festival merchandise and fairtrade, sustainable products made by the Nubian people on behalf of the contributing NGOs.
Drained by the sun, we collapse on mattresses inside one of the now-deserted tents for a moment's peace, which does not last. A gang of little boys that clearly live on the island come charging in with armfuls of abandoned leaflets and embark on some kind of impromptu origami workshop, making flowers, springs and then - surprise surprise - paper planes. When this began to flag attention turned to constructing a high-jump wall, gymnastics mat and fort out of mattresses.The following, because of the memories attached to them, are among my favourite images from Aswan; I'm only sorry I'm not a better photographer.
Later that afternoon we take a boat to the mainland for water, as for the purposes of the festival an obscure currency called 'dogos' has been set up in order to prevent locals overcharging for drinks, and render theft partially useless - but we have none. The boats are moored a short distance away from the main area and the restaurant, sharing their space in the shallows with a gang of young local guys who have helped set up the festival and are now shooting up and down in brightly-painted canoes. As the motorboat draws away from the shore they grab onto the back and form a chain, cutting through the water all across to the middle of the Nile.
The second night is even busier than the first, though feels somewhat more organised, perhaps due to the huge influx of fashionable Cairene backpackers over the last 24 hours. From a perch high up on one of the hillsides we watch yet more bellydancing (including the first male one any of us, including the two girls that have practised it for years, have ever seen), dancing on towering stilts, and dances involving the recurring appearance of some kind of ceremonial sword.
There is an undeniable sense of triumph in the air, of gleeful celebration that has little to do with the paid-for entertainment. We are by pure coincidence witnessing the rebuilding and strengthening of an ancient community and its cultural practices, all too often dismissed as isolated and behind-the-times when in fact it preserves only the values held dearest to the majority of the Egyptian population, with its emphasis on the family unit, on reliance on the land and oneness under God. As 'Zeinobia' has asserted on her blog The Egyptian Chronicles, 'if you are truly calling for a new Egypt built on justice then you must stand with the Egyptian Nubians'.